To a family whose children are traumatized by the death of their mother, help comes in a most bizarre way. They receive three pieces, that when joined together, give a recording for an offer for an electric grandmother. They go to a bizarre factory, where they customize their new grandmother, and within a short time, she arrives. The android is equipped with everything needed as a parent and the boys are charmed. The daughter, however, still misses her mother and she bears no welcome for this interloper.

Over the course of her stay at the remote residence, Ana becomes more and more familiar with Holden’s idiosyncratic methods that require the participating artists to abandon their own identities and live emotionally and psychologically as their characters. Captivated by her artistic investigation, Ana immerses herself wholly into the method and starts living as Violeta, until her fiction loses control.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times

"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage

A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.

Do, Re and Mi in this sequeal tells the tale of a group of gangsters who are planning to rob a bank. So they use this oppurtunity to con them out of it and capture them at the same time. Many comedic memorable moments are carried out through the movie.

Fasorna börjar i Hawaii där en jättelik orm försöker svälja Scooby-Doo och Shaggy med hull och hår i Schas sjöodjur!. I Scooby-Doo i Antarktis bjuder en pingvin in gänget till sitt iskalla hem! Därefter träffar vi bandet Smashmouth i Retliga rev! Vågar du någonsin doppa dig igen?

Six vignettes pit an assortment of characters against each other in everyday situations.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

The U.N.G.C.C. (United Nations Godzilla Countermeasure Center) recovers the remains of Mecha-King Ghidorah and construct Mechagodzilla as a countermeasure against Godzilla. Meanwhile, a giant egg is discovered along with a new monster called Rodan. The egg is soon found to be none other than an infant Godzillasaurus.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

A safe cracker claims he has lost his memory when two criminals come calling for their cut of the bank heist loot.

A Broadway actress uses her sex appeal to ruin a marriage only to dump her lover for a richer prospect.

Captain Kohler recruits an outfit of five American soldiers besides himself (dubbed "The Cut-Throats,") to attack a German stronghold to capture battle plans... although his real motive is to steal a cache of jewels that is Nazi plunder. After the enemy soldiers are gunned down, the beautiful women in the compound treat The Dirty Half-Dozen to a stage show and, later, themselves.

"I stuck landscape photographs on the faces of a cube and shot them frame-by-frame. It looks like the box is forever revolving, but in truth it only revolves 90 degrees. The trick to this sensation is fundamentally the same as the one used in SPACY. I was aiming at disturbing our awareness of space in the movement from the three-dimensional to a plane and back again." Takashi Ito