A corporate office suddenly becomes the sexual playground for a lesbian vampire who likes to watch her female victims seduce one another.

John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.

This documentary looks at the Danish resistance movement's execution of 400 informers during the Nazi occupation and the ensuing cover-up.

The multi-millionaire John Underhower travels from New York to Bavaria, where he’s bought a castle. The reason? He wants to prove there’s ghosts in the old building. John represents himself as a poor circus performer to his unsuspecting cousin Hyronimus, who works as a tour guide at the fortress. And Hyronimus has no shame in pretending to John, that he’s the proud owner of the castle. This little game soon leads to a lot of complications.

Dr. Mikami is an elderly somewhat clumsy, very popular therapist, his patients turn to him with all possible and impossible questions. Because Dr. Mikami's specialty is sexual clarification... The world's best-selling sex literature was filmed here in a manner close to the original. And the openness of the image shows the shocking conflicts of young people in scenes that were never filmed. Shocking documents about sex life from the doctor's office.

Passagerarna i en svensk turistbuss på resa i ett inte namngivet land blir vittne till ett mordförsök på detta lands statschef, ministerpresident Hurkas. Med på resan är bl.a. John Hillman, som turist, en doktor Björk, som råkar filma händelsen, och hans dotter Kerstin. Dessutom en person med, som det visar sig, bevismaterial mot attentatsmännen. Han mördas när bussen når Sverige. Gärningsmannen smiter. Kerstin följer efter och ser hur han plockas upp i en gul bil. Kerstin är nu ett farligt vittne för männen i den gula bilen. De försöker köra över henne. När detta misslyckas blir hon i stället kidnappad och förd till ett mentalsjukhus. Hillman tar upp jakten och lyckas rädda henne. Spåret på den gula bilen leder till Stockholm.

During a brief stay in Florence, Camille believes she's victim of an enormous flood. Urgently taken to a psychiatric hospital, she is diagnosed with the Stendhal Syndrome: a temporary psychological disorder well known to affect tourists who are too vulnerable to the beauty of art work. This disorder which is considered benign doesn't worry the medical staff who asks that she be sent back to her country. Back home, she has to come to terms with a tragedy she has wanted to flee: her mom had gone missing right before her departure. Convinced that she has to move on with her life for her mental sanity, Camille decides that it is time to accept the fact that her mother will never come back. But when she goes to Matane, the last place where her mother had been seen alive, Camille comes across many clues that will propel her into an emotional roller coaster.

A struggling private detective is drawn towards a mystery around unidentified dead bodies turning up near railway tracks, and soon the case becomes significant both at the professional and personal levels.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

A disenchanted suburban man becomes obsessed with a woman in a yellow raincoat that keeps passing by his home. Pursuing the truth forces him to confront a dark secret from his past and take a glimpse into the terrifying unknown.

After CLEVELAND VS. WALLSTREET, the director dived into the universe of the Opéra national de Paris to film his documentary about this major centre for musical creation. During this shoot, he met Philippe Jordan, musical director of the Opéra national de Paris. “Filming Philippe Jordan is like a waking dream. He occupies the frame, he bursts from the frame, he is simultaneously totally present in the music, and elsewhere, connected to some invisible forces,” says the filmmaker about the conductor, whom he was able to film close up during rehearsals for Gustav Mahler’s Ninth Symphony. This invisible aspect is what the camera explores in this short film: by focusing on this piece in particular, entirely given over to listening and immerged in the very heart of creation, Jean-Stéphane Bron reveals a fragment of work that we imagine to be titanic, and allows us to see and to hear, in a whole new way, a work whose interpretation is profoundly marked by silence.

While working on a documentary about the city of Bruges, an artistically frustrated filmmaker must deal with the increasing difficulties in his marriage.

A conscientious but driven Polish refugee disrupts the hierarchy of power on a Georgia farm in the 1940s.

A young man tries to discover the identity of the killers of his girlfriend with only the voice of one of them as his clue.

Berlin, 1932. Weimarrepubliken slits sönder i kampen mellan höger- och vänsterextremister och Berlin är en krutdurk. Nattklubbssångerskan Henny Dalgow lär känna den socialdemokratiske riksdagsdelegaten Albert Goldmann, och de två blir ett något omaka par. Den judiske läkaren Albert är svuren pacifist efter sina erfarenheter i det första världskriget. I strid med sina övertygelser går han med på att agera kurir åt sin bror Edwin, som tillhör en radikal kommunistisk cell.