A San Francisco singer flees Chinatown on murder charges and poses as a missionary in Alaska.

A day in the life of John Lennon, alive and well in modern-day New York City. The former Beatle squabbles with a security guard, commiserates with his best friend over lunch, and upsets a bully.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

Who is he? Where does he come from? What does he want? An experimental short film created for the most part with a mobile phone. The filmmaker shot on the first day, animated on the second, and tried to make sense of it all on the third.

Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the emotions and thoughts of the Waiãpi as they first encounter their own recorded images and those of others. Viewing news broadcasts and videos of other Brazilian native peoples, the Waiãpi see the power of images to facilitate memory preservation and political awareness. Some people worry, though about the invasive spirits of outsiders that can come through the TV. Another concern is the negative exposure that might result from the Waiãpi broadcasting their own images.

Popeye is planting his spinach bed. Just as he finishes, the plants start disappearing. He discovers a gopher filching the baby plants and starts battling it.

Eight portraits, eight dreams, eight escapes

A divorced mother is obsessed with the idea that her ex-husband is plotting to take her baby away from her.

A husband and wife meet three years after their formal separation, when they return to the provincial town where they once lived to pick up their divorce decree.

Three artists struggling against the grid of society find spiritual renewal.

A video letter composed for Amnesty International's 'Lest We Forget' series.

Bosko, carrying his hobo stick, travels along the railroad tracks with his dog, Bruno. Unfortunately, they're both on the tracks as they cross a bridge and realize that a train is coming perilously near. They manage to escape via a handcar, which was waiting for them on the tracks. however, once over the bridge, Bruno gets his foot caught near the switch. Bruno escapes, but not before allowing his poor master to think he's dead. Bosko is angry at his pet, but outrage turns to fear when the sound of another train gets them both panicking again. Luckily, the "train whistle" is only the mooing of a cow. The pair's adventures continue as they try to steal a chicken for her eggs. Finally, they end up on a runaway boxcar and have a second encounter with the obnoxious cow.