Radiation oncologist and choreographer Dr. Niraj Mehta seeks to heal cancer through movement.

If hugs are tangible why am I hugging the void

A young woman loses her umbrella in a café altering her perception of the world forever.

The story of a high school boy (Toshiyuki Nagashima) in Tokyo returning to his home town of Nagano upon the death of his father.

Darian Caine moves from the big city to the quiet of the country. With her boyfriend out of the way and a house full of gorgeous, female house mates she is free to unleash her deepest lesbian desires.

Zineb is a psychiatrist assigned to Rihana, a traumatized and pregnant young woman, who was raised as a son by her dictatorial father. Rihana's story awakens repressed thoughts in Zineb's own mind.

An undercover, government assassin meets a beautiful computer tech that is recovering from a break-up, he falls in love and trades his exotic life for domestic bliss. Three years later, on his birthday he finds out that he is the target of a multi-million dollar hit. And the hired killers have been stalking him for years, and could be anyone. Now they are on the run, their lives turned into a paranoid game, all the while trying to save act normal with his in-laws and neighbours.

Happily ever after has a bumpy start for a young couple in a magical land when the husband is sent off to battle by a jealous prince.

Nathan plays the new Tic Tac Toe simulator.

When Philo Vance receives a note that harm will befall Lynn at the casino that night, he takes the threat seriously while the DA dismisses it. At the casino owned by Uncle Kinkaid, Lynn is indeed poisoned under the watchful eye of Philo. However, he recovers, but the same cannot be said for Lynn's wife Virginia, who is at the family home. Only a family member could have poisoned Lynn and Virginia and everyone has their dark motives. Philo will follow the clues and find the perpetrator.

Apiyemiyekî? addresses the genocide of the Waimiri-Atroari people in 1970s, when during the Brazilian dictatorship indigenous lands in the mid-west were invaded for the construction of the national road BR-174 and the installation of a mining company. Illustrations about the period, created by the indigenous population, including children, reveal a traumatic history, referring us to the present day.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

The film is a continuous time-lapse with multiple exposures of the sunset from the same angle and position on 16mm film. The shoot was done in a span of 5 years. The title 13 is because the time-lapse has a 13-second interval per frame.

A family of farmers has to deal with the retarded elder son. He gets everybody bored and tired of him, even his cow to whom he goes to talk to several times a day.

Girls no more, four heroines emerge into womanhood with a more clear-eyed outlook on life.

You'll believe in the promise of medicine once more. And you'll never take your face for granted again.