A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.

In our current world, where worth is often gauged by online popularity, an economy has developed for paying for followers and likes. Through access inside the “click-farms” of Bangladesh, Like explores the multi-million dollar industry that grows social media followings for celebrities and brands alike.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

Upon arriving at the Digital World after the "reboot", the Digidestined are hunted by a new villain. Meanwhile, Sora is troubled by her partner Digimon's indifference towards her.

An Italian businessman, Mario comes to the country and opens his shoe company in a small village. A middle-aged female worker falls in love with Mario, but she is not the only one whose life will be changed.

A naked body moves a stranger to empathy. Inspired by The Kuleshov Effect, a dizzying provocation on art and objectification.

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

When the gang goes on safari, they encounter a variety of freaky, glowing demon animals.

Also known as: For My Daughter's 7th Birthday. Many years following her mother’s suicide, Maya seeks out her father, who deserted them, for revenge. All intertwined with the investigation of journalists into local murders, the manipulations of a palmist known as the “blue moth”, and political corruption.

Cherrie är en av Sveriges största R&B-artister. Samtidigt har hon omgivits av ett mörker - hon kände flera av dem som dödats i de senaste årens dödskjutningar. Nu vill hon inspirera andra med sin musik och visa en väg ut ur mörkret.

A news documentary about the 1966 Venice Film Festival.

Hitch a ride into the dark heart of Australia with Soda_Jerk's TERROR NULLIUS, a blistering, badly behaved sample-based film that confronts the horror of our contemporary moment. Equal parts political satire, eco-horror and road movie, TERROR NULLIUS is a rogue remapping of national mythology, where a misogynistic remark is met with the sharp beak of a bird, feminist bike gangs rampage and bicentenary celebrations are ravaged by flesh-eating sheep. By intricately remixing fragments of Australia's pop culture and film legacy, TERROR NULLIUS interrogates the unstable entanglement of fiction that underpins this country's vexed sense of self.

Rabbit's Moon is an avant-garde short film by American filmmaker Kenneth Anger, and released in two different versions. It was filmed in 1950, but not completed (nor released) until 1971. This, the second version, was re-released in 1979, sped up and with a different soundtrack.