This is Ado's first live video work, featuring all the songs from her legendary Saitama Super Arena concert held on August 11, 2022! Included are 24 songs in total, including her smash hits "Usseewa," "Odori," and "Shinjidai," as well as her favorite Vocaloid songs "Darling Dance" and "Zaneri".

HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.

Joseph Kuo's final film.

Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.

After the closure of a lace factory in Calais, Andrée, Lulu and Solange are out on the street.

The only surviving play from the anthology series, Out of This World, presented by Boris Karloff.

KAMITSUBAKI STUDIO hosts "Singularity Live vol.2," a two-man live project. Performers will be two virtual singers, Harusaruhi(春猿火) and Koko(幸祜). The opening act will be CIEL, the same as vol.1.

A story about one summer from the life of 7 years old Marin.

A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.

A squad of terrorists infiltrate a kibbutz but find themselves trapped in the children’s nursery with hostages who are less than four years old. Told from multiple perspectives, this is the true story of that night, on April 7 1980.

Documentary about Hong Kong cinema's influence on the films of Quentin Tarantino.

Cuenca, early 1990s. Amelia takes care of her soul friend Miguel, sick with AIDS, who, in his last wish, expresses his desire to receive the last rites and tells Amelia a secret that no one ever knew.

A witty and mind-expanding exploration of data, with mathematician Dr Hannah Fry. This high-tech romp reveals what data is and how it is captured, stored, shared and made sense of. Fry tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.

In this film several objects make paintings on an empty canvas, which all turn into photos and films.

LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.