On the 20th anniversary of their edgy little 90's cable show Underground Entertainment, the authors, along with many SF, horror and B celebrities in cameos, remember how they pushed the envelope, shocked, entertained, but also introduced the audience to many movies, comics and conventions.

Radiation oncologist and choreographer Dr. Niraj Mehta seeks to heal cancer through movement.

Based on the true story of Louis "Red" Deutsch. A New Jersey bar-owner is plagued with prank phone calls that prompt him to flip into psychotic, profanity-laden rages.

THE BLUE HOUR tells the story of Tanya, a young woman with a mysterious past who finds herself trapped in a sexual hell in Los Angeles. Punctuated by striking visuals and avant-garde editing, THE BLUE HOUR is a lost masterpiece of late period sexploitation.

The first rule is that there are no rules. For the bare-knuckle combatants competing in Musangwe fights, anything goes - you can even put a curse on him. The sport, which dates back centuries, has become a South African institution. Any male from the age of nine to ninety can compete. We follow a group of fighters as they slug it out in the ring. Who will be this year's champion?

The story of 13 Real deaf children and their heroism, passion and humanity.

Tonho Tiê really likes living free, playing capoeira and drinking. During Carnival he meets beautiful Zulmira; they pledge love and projects for many children. But time passes and Tonho returns to being the womanizer he had always been. Zulmira, daughter of Iansã, cannot stand Tonho's brazenness, and asks her saint-mother to wash her honor with blood.

Having lost her parents during the war, Galya was brought up in an orphanage. When the grandfather was rehabilitated, they began to live together. Galya often called Alyosha to repair the phone. After walking around Moscow at night, they realized that they loved each other. Once, after another call, Aleksei was slandered. The boss, not wanting to delve into the essence of the client's complaint, invited Aleksei to apologize. The guy refused — and he was fired from his job. Friends helped him find another job, but he could not convince Galya that he was right. The girl reproached him for cowardice — and the heroes quarrelled...

A tormented woman believes a rare planetary alignment is actually a cosmic message from her distant interstellar home.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

Experimental short painted directly on film.

"I only say the sun goodbye." Dionisos captures the existential unease where insomnia echoes and shadows of past regrets linger. As days blend into unconsciousness, the night unveils a haunting struggle between personal demons and the unending flow of existence.

When circus aerialist Polly Fisher is injured, she is taken to the nearby home of minister John Hartley. The two fall in love and marry secretly. But when the news leaks out, the minister loses his pastorate over disdain by the parishioners for Polly's background as a performer. Polly must decide whether to stay with the man she loves or leave him for the good of his calling.

In a women's prison in Brazil, the inmates are young and beautiful, the warden is a sadist, all but one of the guards are cruel, and the nurse is an incompetent cuckoo. To make it difficult for the inmates to hide contraband, they wear no underwear. They are alternately murderous and orgiastic with each other, and they engage in sex play with some of the guards. The warden pimps out inmates to wealthy lesbians. With the help of the nurse and under the cover of Carnival, three inmates stage an escape. Once out, will they contrive to stay undiscovered, or will their natures guarantee an ill-fated end to their attempt?

No Time for Tears is a moving, sympathetic portrayal of the challenges faced by all those who enter this most demanding yet rewarding of professions – from routine operations to more serious conditions, from anxious, sometimes hostile parents to workplace romance. The lives of the staff and patients of Mayfield Children's Hospital are inextricably woven together with the laughter, tears and devotion that lie behind the work of restoring children to health and happiness.

An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films.